About five years ago I went through a stage of doing ‘Let’s Play’ videos. I’d purchased some cheaper software, allowing for my lack of expensive equipment, and with a laptop and an XBox 360 I’d started recording videos of me playing games online. There’s only a handful of this footage remaining, to be honest, and I think – looking back – that it carried well.
Primarily I played ‘Terminator Salvation’ for XBox One and PS3; a game which had been singled out as being one of the easiest games to obtain a Platinum Trophy for – at that time – as all you really needed to do was complete the game on a set difficulty level. As a film tie in the game had obviously been rushed and so levels were pretty sparse of enemies, and rather straightforward. I think I even remember finishing the last level and not even realising I’d cleared the game until the credits came up.
I loved House of Cards. It was a powerful show, built from the memory of a BBC serial, it outgrew its predecessor rapidly as it focused on the political machinations of Chief Whip Frank Underwood and his wife Claire. Drawing comparison with Macbeth, Underwood is the classic politician loyal to the King, yet spurned by that King and driven by ambition he aspires to become the King himself. Setting the show in Washington DC, in the heartland of US politics led to all kinds of possibilities, as the series itself began to be mirrored in the real life political ambitions of one Donald J Trump.
And yet, as good as the show was, it’s main drawing power was actor Kevin Spacey. As Underwood, Spacey gave another phenomenal performance, proving that he is an extremely gifted actor with the skill for deception and the art of imitating life.
On Christmas Eve 2018, it was announced by the prosecutor that Spacey would be charged with a felony over his sexual assault allegations, a matter which had first arose in October 2017 when Spacey admitted his homosexuality publicly on Twitter and spoke about allegations made from fellow actor Anthony Rapp. This snowball effect created a public outcry against Spacey who made no further comments and retreated into a self imposed exile while a number of Spacey’s current projects where either delayed or entirely altered altogether. We’re used to seeing celebrities fall from grace, normally such allegations coming long after their prime has passed, those like Jimmy Saville posthumously or Gary Glitter. Rumors or allegations may surface but it is only once the individual is well past their prime. Not so with Spacey.
Although arguably some of his best work behind him, Kevin Spacey was still producing thought provoking and engaging drama, very present in public life and not likely to be retiring anytime soon. I had personally heard allegations from a family friend, who claimed Spacey had been auditioning for a play in Dublin in the late 90s, and had invited one of the younger cast members back to his room to discuss the role in private. It was always something that had stuck with me – even though I’d been told the story many years previously – but something I had assumed was such commonplace in certain Hollywood circles it was thought impossible to police.
When the felony charge was confirmed on Christmas Eve, it seemed like old news, considering there had been no new comment from Spacey for well over a year. In the interim the studio responsible for his House of Cards show had announced it would continue for a sixth season. It was explained that Underwood had been killed off screen, with his wife Claire now resolved to take her place in the Oval Office. The show lacked something for me, and although there were moments of sparkle, I regret to say that they were moments built on the back of Frank’s involvement. The show was legitimately the Kevin Spacey hour and without his presence it felt like Netflix had commissioned the series simply to make a point that didn’t hold much water. Without the show’s lead actor it had nowhere to move. A deeply unsatisfying end to the series came and went and we were promised a resolution but received none.
Suddenly, both Spacey’s fiction and reality were merged together, as he presented a short video from his official YouTube page. Entitled ‘Let Me Be Frank’ it showed a character, performed by Spacey, in the accent of Frank Underwood addressing the audience and asking what actually happened. The video has acquired several million hits in just a few days and that counter is far from slowing down, as many people have spent Christmas literally recording, editing and publishing their own reaction videos, analysis and feature commentary to this piece.
At the beginning of the video Spacey is seen washing his hands preparing a Christmas dinner. Dressed in a novelty apron, it would suggest that the video has either been created recently (owing to the fact it is Christmas Eve) or planned somewhat in advance. I personally believe the former, since Underwood’s character in House of Cards had grey hair and although Spacey may wish to give the impression Underwood is now living a secret life with colored hair, the lack of any grey hair is more significant I feel as a way of merging fiction and reality. Given the emphasis on Christmas, the washing of the hands is also slightly significant, considering that Jesus Christ (born on Christmas Day) was executed on the testimony of what is described as an angry mob. When attempting to deal with Jesus, and adjudicating his trial, Pontius Pilate is known to have washed his hands in gesture of relieving himself of the responsibility of this matter. My belief is that Spacey, who could have begun the video anywhere, chose to begin it at this point as he is washing his hands of previous issues and what is before him.
Spacey turns to the camera having wiped his hands, and affixes a stare, though his words are spoken with the distinctive Southern accent of Frank Underwood. He starts by berating his audience, telling them they trusted him when they shouldn’t, and how he shocked us by revealing his deepest, darkest secrets. It’s an interesting juxtaposition between life and art, immediately Spacey is creating a sense of confusion between Frank Underwood and his own personal abilities as an actor and what rumors might have been heard in his private life.
He takes a cup to drink, and does this twice in the video, which I believe in itself is significant. The cup definitely appears to be a regal – a royal design – and has a message in Italics on it. Of course, when Spacey continues and says “you and I are not done, despite what they say” it’s a chilling statement.
His defense counsel will likely argue this is Spacey in character, though prosecutors may see this as an attempt for Spacey to influence any trial, stating that he knows what the audience wants, that they were quick to judge him without evidence and that they haven’t heard the real story yet. Even the video’s title, “let me be frank” is both a play on Frank Underwood and a potential way for Spacey to address his accusers. It’s also a way for Spacey to influence any potential jurors or judge before the trial is even set. If such a thing was released during jury selection there would no doubt be uproar. Spacey has chosen an ideal time, when the Holiday’s prevent anyone from doing much of anything until the New Year.
Spacey is to be arraigned on January 7th, according to the Boston Globe, but he himself asks in the video “no, not you, you’re smarter than this…all this presumption led for such an unsatisfying ending” and this is easily believed to be a reference to the online disapproval of House of Cards Season 6. But it’s Spaceys next comment which I find the most significant in the video;
“If you and I have learned anything these past years, it’s that in life and art, nothing should be off the table”
This in itself is seen as a direct statement to anyone watching. Spacey goes on to say that if he (Frank, who knows at this point?) got away with the stuff he did do he sure as hell won’t be punished or what he didn’t. There’s a moment of pause after this statement, and you can’t deny the powerful nature of any monologue, which immediately makes you think about what is being said. Is Spacey blackmailing his accused, are we looking at the threat of further repercussions if they dare to challenge him. What does he know? Or is this just Frank talking. We are, after all, a world so heavily influenced by dialogue of fictional characters, people we’ve never met and reality television.
At the end of the segment Spacey points out that you never actually saw him die, and then puts on a ring, a ring which looks suspiciously like (but which I doubt is) the ring from House of Cards Season 6 that Frank Underwood was meant to have been buried wearing. Frank wore the ring for the entire show but it was most prominently featured in the final season in his absence. The ring itself was about as close as we got to having Underwood as a character in Season 6 and showed just how much presence an actor can have in legacy when they’re not even present on the camera.
Think about what Spacey is doing. He’s cooking a meal. He’s got his hunger back. He begins by washing his hands of the past, and he ends the video by assuming character, placing the ring off his finger and walking off screen. Those familiar with the very first season of House of Cards remember the pilot episode; Underwood eating ribs at Freddy’s the morning after Walker’s inauguration, and marking a page in the print with sauce to indicate the hunt had begun.
I believe Spacey, a clever man with a tactile mind, has just given us a very clear motive of what he intends to do. Many reporters comment that the video has backfired. I don’t believe it has at all. Just like I don’t believe he’s made a bad move here. As of last count there were 42,939 thumbs down on YouTube from 6.375 Million Views; and 138,461 thumbs up. Regardless of guilt or innocence, I believe the true winner here is entertainment and fiction.
A message seeking comment was left with Mr Spacey’s spokeswoman Laura Johnson.
As Spacey walks off screen, we remember that he is an incredibly gifted actor, and what we’ve seen is a performance we’re likely to see again. Though on whose stage?